diminished scale pattern

So I’m gonna just play through one of the examples on page 30 for the E diminished scale or G, B flat D flat diminished scales. Almost every exercise I work on is played and sung through all twelve keys. It is generally played over dominant 7 chords (7b9). Some overall characteristics: There are 9 notes that make up a diminished scale instead of eight. Here I have mostly followed the convention of sharps ascending and flats descending, but have used B instead of Cb. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). And as we’ll show you below…even ii-V’s. The Half/Whole Diminished Scale(C Db Eb E F# G A Bb) should be memorized before attempting memorization of the patterns below. In classic music any music scale that contains eight notes is called an Octatonic scale. Unlike the modes, the diminished scale is built from a continuously symmetrical intervallic sequence as each four-note group progresses. Diminished scale The diminished scale is an eight note scale. Here is a diminished scale starting on a Bb and beginning with a half tone. Also, I want to emphasize what I said above. If your into jazz this is one you need to learn. Actually they are basically the same scale, but depending on which one you intend to play. Here is a pretty easy way to combine the usage of tritones on dominant chords and the playing of a diminished scale or pattern to compliment it. it has 8 notes) A Symmetrical Scale (i.e. The first one is G diminished half whole scale. Using the bebop scale over ii-V’s. I first learned about the double diminished scale in the 1970s, inspired by pianists like Chick Corea and Herbie Hancock. The Diminished Scale is: An Octatonic Scale (i.e. As a general rule of thumb, you can think of the . To learn the triads and have material to make lines it is practical to learn the inversions of the triads: Here are 3 of the 4 string sets. The diminished scale pattern simply goes like this whole step half step whole step half step repeating this all thevway up and back. Half/Whole Diminished Scale Starting on Bb. Since the diminished scale is symmetrical and you can moving everything around in minor thirds we can also see that if we have a G major triad, we will also have Bb, Db and E major triads. The scales and patterns shown in this lesson are based on the half-whole versions of the diminished scales. The Diminished scale is a scale that you have probably heard of and you know that it is a symmetrical scale and most of the time when people talk about using it then you get all these patterns that repeat. So, you will be able to use the cool diminished patterns you learn over dominant 7th chords as well as diminished chords. IMPORTANT NOTE! Randy Hunter. the intervals repeat in a pattern) Because it is a symmetrical scale (and much like the diminished chord) there are only three unique diminished scales: C = E♭ = G♭ = A diminished scale; D♭ = E = G = B♭ diminished scale To help dig deeper into this important scale, this lesson will cover one of the most commonly used dominant diminished scale patterns in jazz. This means that the scales are constructed using a repeated pattern of half and h w h w etc. We are using the half-whole diminished scale, also known as the dominant diminished scale. This means that we can create some very interesting, repeating patterns. For instance, Pattern 1 will correspond to a C chord. These CAGED scale patterns help you learn the diminished scale as it relates to standard CAGED chords. The half-whole diminished scale (the diminished scale) known as "dominant diminished scale" is constructed by repeating a pattern of half and whole steps. It is a symmetrical scale in that it follows a distinct pattern of steps, those being whole step, half step in a repeating pattern, not to be confused with the dominant diminished scale which follows a half step, whole step pattern. whole steps. Two Scales As One . I decided to delve into this so I could better understand and use these scale and patterns in my music. ... however while learning the basic scales and diminished patterns it’s easier to use whatever seems simplest. The Diminished Scale is built upon two diminished seventh chords. The Diminished Scale. Here is one of many diminished patterns. Patterns, scales & licks for intermediate to advanced players. 3 Functions Of Diminished Chords . 0000001290 00000 n stream If your into jazz this is one you need to learn. How to practise a diminished scale. The diminished scale and how to use this scale building patterns from the diminished scale has always been a bit unclear to me. This scale is great over a dominant chord, particularly a 13(b9) chord. You might start at different points. A whole step/half step diminished scale applies to diminished chords. In other words, for a Cdim7 chord, C – Eb – F# – A, you would use a C whole step/half step diminished scale. Once again we can see a pattern in the dominant diminished scales. In the video I’ve used the example of a Bb7 chord. Also, try searching for more diminished scale patterns to apply, or come up with your own. The next way you can use the bebop scale is over the ii-V-I progression. It displayed countless chords alongside scales that corresponded to them and connected dominant seventh chords with the double diminished scale. As long as you land on a chord tone in the next measure, you should be good to go. I guess the best place to start is to define what a diminished scale is. The dominant diminished scale, also known as the half whole scale, is an eight note scale with a numeric formula of 1-♭ 2-♯ 2-3-♯ 4-5-6-♭ 7-8/1. The diminished pattern diminishes the 3rd, 5th, 6th, m7 and 8. But for, the problem was always that melodies with repeating patterns like that don’t sound that great. Due to this symmetry, one quickly sees that in fact, there are only three different diminished scales; each of the three scales may be definted in terms of four different roots: In other words, the Db, E, G, and Bb diminished scales use the same eight pitches. Dealing with diminished scales naturally leads to diminished chords. Diminished Seventh Chords. The diminished pattern uses a lot of the minor intervals. Its a symmetrical scale and thats what makes this possible. They are symmetrical. If you look closely, you may notice that the A dominant diminished scale has exactly the same notes as the C, Eb, and F# dominant diminished scales. Once again, we will consider all of the equivalent scales: A, C, Eb and F# dominant diminished are equivalent. 0000000990 00000 n endstream endobj /Gs2 11 0 R /Gs1 12 0 R >> /Font /F1.0 6 0 R /F2.1 8 0 R /F3.0 Michael Brecker's diminished scale pattern based on major and minor triads. I like to think of these kinds of scales as mental gymnastics, not only for the player, but for the listener. I feel like my playing is at it's best when I have some sort of daily technique routine. Whole step/half step diminished scales are the same configuration of notes except that you start the scale with a whole step rather than a half step. 2. Home » Piano Theory » The Diminished Scale. Ein anderer weit verbreiteter Name ist auch "symmetrical diminished", "dominant diminished" oder einfach nur "diminished" Scale, da die Tonleiter auch über verminderte Akkorde gespielt werden kann, doch dazu später mehr. The interval pattern is 1 - b9 - #9 - 3 - #11 (or b5) - 5 - 13 (6) - b7. There are plenty of resources to find these. Pattern 4. play notes . I don’t always think about the scale starting on the root note. Here is an example of an arpeggiated diminished scale pattern that I featured in the video. There are plenty of lead sheets where you simply see a dominant seventh chord. This scale is primarily used in jazz music and works well together with alternate seventh chords. Sheet Music: Jazz Piano Lesson #46 - Diminished Scale Workout I've mentioned many times before on this blog how big a fan I am of technical exercises. We are going to talk about two diminished scale patterns that have whole and whole half. Hopefully you can see the half-whole diminished scale is the better fit for a dominant 7th chord because it contains the guide tones of a seventh chord. Otherwise, this may be practiced by younger players as simply a written exercise for technique. The diminished scale, also known as the whole half scale, is an eight note scale with a numeric formula of 1-2-♭ 3-4-♭ 5-♯ 5-6-7-8/1. Master the bebop scale and its applications and you’ll have a technique that you can apply to Dominant, minor, half-diminished, and sus chords. “Whenever you see or hear one of the chords from above…” Jazz is aural. Diminished scales are symmetrical. Diminished Scale Patterns For Improvisation. Scale - Diminished 1,2,b3,4,b5,b6,6,7 FULL-th pattern Root note - D Guitar Tuning: Standard - E-A-D-G-B-E Diminished Scales. Its one of these scales that just sound like jazz. So we are going to do both of them as they are separated scales. Make those neurons pop. The diminished scale is an eight-note entity, as shown in FIGURE 2. It can also be used for fusion and heavy metal. Patterns in improvisation are the "catch phrases" we all use, some more than others. First lets look at the scale as a shape. The diminished scale is built with a direct formula of whole and half steps repeated one after the other. In this "5-minute masterclass" we’re going to take a look into the diminished chord and scale. In this video, I show you how to construct a very common diminished scale pattern which can be heard throughout many, many jazz records. In this page we're going to discuss a common jazz scale called the the Octatonic scale. Half-Whole Diminished Scale (Auxiliary Diminished Blues) If you start with a half-step, the pattern is hwhwhwhw. Pattern 3. play notes. It is a symmetrical scale in that it follows a distinct pattern of steps, those being half step, whole step in a repeating pattern, not to be confused with the diminished scale which follows a whole step, half step pattern. The Diminished scale is an important scale used in Jazz but can also be used in blues. Dominant Diminished Scale Pattern. It’s formula follows an alternating pattern of whole steps and half steps—whole, half, whole, half—that repeats up to the octave root note, as illustrated in Both diminished scales have a repeating pattern: half step – whole step and whole step – half step. Diminished harmony works as a ‘base’ or a ‘spine’ to all harmonic movement. Find guitar scales using graphic interface. Pattern 1. play notes. Diminished scales and chords are a very important subject. Finger pattern can be several ways first, third, fourth next string first, second, fourth slide up a half step, next string first, second which is the octave. At that time, I was studying a book by Nicolas Slonimsky called Thesaurus of Scales and Melodic Patterns. It is a symmetrical scale in that it follows a distinct pattern, constructed from a repeated sequence of intervals (major second, minor second). The diminished scale is a symmetrical scale, constructed from a repeated sequence of intervals (major second, minor second). 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